Now
March 2 – April 1, 2023
Everything is Sculpture is a group exhibition inspired by the artist and landscape architect Isamu Noguchi’s belief that “everything is sculpture.” He once said, “Any material, any idea without hindrance born into space, I consider sculpture.”
The group exhibition includes artists Kirby Miles (Chattanooga, TN), Jennifer Fields (Springville, AL), Lara Emerling Grace (Baltimore, MD), David Robinson (Atlanta, GA), Kelly Sheppard Murray (Raleigh, NC), and Kim Thomas (Charleston, SC) will be on view at Bells Gallery in Dothan, Alabama during the month of March.
Upcoming
April 20 – May 27, 2023
G. R. I. T. S. is a group exhibition with artists Jasmine Best (NC), Jan Burleson (TN), Arden Cone (SC), Carlson H. Coogler (AL), Larkin Cook (TN), Claire Godbee (AL), Tara Stallworth Lee (AL), Jennifer McCohnell (AL), Tracie Noles-Ross (AL), Joy Alicia Raines (GA), Raegen Register (GA), and April Wright (TN) on view at Bells Gallery in Dothan, Alabama. This show explores feminism in the south.
June 1 – July 1, 2023
Submerge will be on view at Bells Gallery in June 2023. The exhibition is a collaboration by artists Heather Baumbach and Elizabeth Rennie. The two join their practices to construct works encircling their common interests and the human experience, surveying the every day, otherness and exposure.
Submerge examines perceptions and realities of external vulnerability while addressing the unseen commonalities of internal struggle. Through their combined use of shape, color, and texture, Elizabeth and Heather’s work seek to uncover the relationships between life, bodies, and self-preservation.
Viewers will find mixed media works and a site-specific installation. The artists work with discarded materials and traditional fiber techniques common to our lived experiences concerning identity, mental health, and bodily autonomy.
Previous
February 2-25, 2023
I Thought It Was Funny by painter Carolyn Cowper is on view at Bells Gallery from February 2 – 25, 2023. Using a tumultuous color palette, bold marks, and exaggerated layers, Cowpers conveys a story about emotion. She mobilizes the body of work of primarily mixed media works on canvas as a spectacle to parade her process of creating – literally and metaphorically.
Cowper observes that humans relate to each other while imbuing their thoughts, beliefs, and culture with their emotional perspectives. She believes that as we progress through life, our emotions alter in the process rather than fade. Perhaps over time, we learn to harness our raw emotions steering them to operate in terms of rationality.
I Thought It Was Funny illustrates the confrontation between rationale and emotion by exploring the balance between being a child and an adult. During the transition from childhood to adulthood, we may often realize things are not as they seem, leaving us with an eerie sense of disillusionment. Cowper explores identity, locality, and gender, using her paintbrush to tackle these distinct narratives in a way that viewers may find exhilarating, humorous, nostalgic, and exhausting.
December 29, 2022 – January 28, 2023
Homeward Bound: (Finding) Place and Identity in the Postmodern South is an exploration of home. Using print, sculpture, and painting, artist Jennifer McCohnell utilizes multi-media practices to search for context and meaning. Is home a place or a feeling? Is it fixed or transient? How do our childhood memories and ancestral history impact our sense of home? While these questions are not unique or unfamiliar, they are critical enough for us to consider them again and again.
McCohnell finds herself bound to the physical and spiritual crux of home – melding past and present connections through her environment and emotion to define it. In this exhibition, McCohnell revisits the places, people, and memories of her childhood as those experiences bind her to a territory in space and time that feels like home.
Homeward Bound rests at the intersection of place, memory, and identity encompassing the artist’s past, present, and future.
December 1-24, 2022
In(dependent) is a collection of artworks by The Untrained Edit resident artists – Carolyn Cowper, Rosilyn Holladay, Erin Merrill, Caleigh Parsons, Laura Rice, and Lindsay Roth.
This exhibition urges the viewer to question what is communal. There is a common thread between us all. To recognize our commonality and open ourselves to this connectedness is a choice. And, while we may consider ourselves individuals, is it truly possible to be autonomous or self-sufficient?
Others help shape us as individuals. Someone brings the beautiful parts of ourselves to the surface, while another motivates us to work harder, drawing out the grit beneath. Our environment and shared culture nurture us, as we are never absolutely independent of one another. Through In(dependent), the artists ask who we are because of each other. What do we share with our neighbors? Moreover, if we look closely, can we see the fiber that connects us all?
The Untrained Edit is a collective of women artists, creatives, and entrepreneurs. TUE strives to build community, support local artists, and create art experiences in the Wiregrass. The TUE collective works to raise awareness around the artistic talent in our community while encouraging one another’s practice and bolstering more collaboration and opportunities for one another.
November 3 – 26, 2022
Gun Show by painter Olivia Tawzer will be on view from November 3-26, 2022. The exhibition is a commentary on displays of masculinity in the American South. The phrase “gun show” alludes to muscles, brute strength, and conventions where firearms are sold. Through a grouping of narrative paintings, Olivia Tawzer, a Chattanooga native, depicts questionable situations with displays of ego, dominance, and peril.
To many southerners, guns are a symbol of American pride and freedom. Olivia connects the concept of gun culture to the construct of masculinity. Often strength and stoicism are valued at the expense of emotional well-being, creating a toxic environment for self and others. Creating shadows and light in her paintings is important, as she plays with phrases like “hiding in the shadows” or “finding the light” in the context of men disconnecting from their emotions or finding productive ways to channel them.
While Gun Show assembles a dense narrative encompassing a challenging and complicated topic, Olivia has illustrated bold and moving displays of real-life situations she experienced. Her use of color, scale and technique disarms the viewer.
“Polarizing and complex topics, such as gender and politics, are often talked about in black and white terms with no consideration of the grey areas. When met with opposition to our beliefs, it can be easy to disregard differing opinions without trying to find any middle ground – the only place where productive conversation and human connection can occur. With this show, I aim to depict scenes that elicit an immediate judgment of those portrayed but allow for further contemplation upon deeper inspection.” – Olivia Tawzer
October 6 – 29, 2022
A la bamba (October 6-29, 2022) is a collection of works by artist Denise Treizman at Bells Gallery. Denise is a Chilean-Israeli multidisciplinary artist based in Miami, Florida. This exhibition is a playful and vibrant composite of works pulled from Denise’s past shows to reflect her short time in Alabama as she is temporarily living in Dothan.
Denise incorporates found objects and ready-made materials with brightly colored, textural, and sometimes luminescent weavings to form her unconventional art. She accumulates materials with no specific purpose or plan in mind except to have the goods available to subtly shape her boundary-breaking sculptures and installations. Denise works by her motto that nothing is permanent and everything transforms.
Bells Gallery will feature a site-specific fiber installation, weavings, works on paper, and sculptures in the exhibition A la bamba.
September 1 – October 1, 2022
Ethan Sawyer is a multidisciplinary artist from Enterprise, Alabama. He presents this body of work combining his skills in painting, photography, and woodworking.
Give it Time is an interpretation of the silent, humorous, and persistent momentum of time. Often through the lens of our present, the past validates our decisions. Ethan explores the ironic and intuitive nature of hindsight in this exhibition.